‘There is a time that slips away and a time that draws near. My father had died but he returned in my art.’ (Michelangelo Pistoletto)
The archetypal relationship between father and son, namely between the art of Michelangelo Pistoletto and that of Ettore Pistoletto Olivero, enables us to reinterpret their past exchanges by going beyond the private and familial aspects of their relationship. The exhibition catalogue (Ettore Pistoletto Olivero | Michelangelo Pistoletto. Father and Son, April 17–October 13, 2019, curated by Alberto Fiz in Biella and Trivero, at the premises of Palazzo Gromo Losa, Cittadellarte–Fondazione Pistoletto and Casa Zegna), contains essays and research on the two artists and on current themes, with contributions from experts from various fields, such as art history and psychoanalysis, among them Alberto Fiz and Massimo Recalcati. The book also includes an interview with Michelangelo Pistoletto, texts on specific themes, and a complete series of illustrations documenting the exhibition route. Ettore Olivero’s still lifes and the artworks of Michelangelo Pistoletto, one of the greatest contemporary masters, interact on the theme of a mirror that ‘indicates the impossibility of progressing without considering what lies behind us: the reflection of the past’.
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ETTORE PISTOLETTO OLIVERO | MICHELANGELO PISTOLETTO. FATHER & SON
38,00€
EDITED BY: Alberto Fiz
CONTRIBUTES BY: Alessandro Bergonzoni, Piero Chiara, Paolo Cognetti, Nicoletta Colombo, Danilo Craveia, Ferruccio De Bortoli, Johnny Dotti, Alberto Fiz, Piercarlo Grimaldi, Paolo Naldini, Grazia Paganelli, Armona Pistoletto, Michelangelo Pistoletto, Massimo Recalcati, Anna Zegna
Size: 26 x 29 cm
Pages: 244
Language: english
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À MA FAÇON. NESPOLO ENTRE ART, CINÉMA ET THÉÂTRE
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EMILIO SCANAVINO. GENESI DELLE FORME / THE ORIGIN OF SHAPES
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‘I like taking pictures. But I'm not looking for beautiful images, I like going around and portray nature’s skeleton: certain grooves, certain furrows that the centuries have dug into the mountains. The debris that accumulates in the places where our industrial civilisation collects its waste tells me incredible things.’
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PIER PAOLO CALZOLARI. MUITOS ESTUDOS PARA UMA CASA DE LIMÃO
TEXT BY: David Anfam
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BURRI. LA FERITA DELLA BELLEZZA
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Starting from the interpretation of the Big Cretto of Gibellina, which represents a white “handkerchief” that covers the ruins of the Valle del Belice city, Massimo Recalcati reads the entire work of Alberto Burri and highlights that the theme of the wound is the unifier of the unending and various research of the artist.
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ARTE CONTEMPORANEA IN SARDEGNA (1957-2017)
30,00€
EDITED BY: Micaela Deiana, Lorenzo Giusti, Emanuela Manca
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