Mario Giacomelli – Faraway, So Close
The idea of distance in Giacomelli’s work is never a simple calculated measurement between the photographer and the subject, it is an unstable threshold where reality is held and transformed. Moving closer or further away alters the actual degree to which the image can be seen, or, indeed, its very possibility of existing. At a distance, the world can lose its weight, become a structure, or transcend all recognisability and return to its original matter, or even waver, unrevealed, between the two. Alessandro Sarteanesi
Format: sewn paperback Dimensions: 15 x 22 cm Extent: 32 Language: English Series: Passage Publishing: 2026The Dream of Tages. Land and Memories in the Val di Chiana
SHIRIN NESHAT. DO U DARE!
JOSEF ALBERS. Meditations
When I paint I think and see first and most—color but color as motion Josef Albers
Format: sewn cardboard Dimensions: 26 x 29 cm Extent: 184 Language: ITALIAN / ENGLISH Publishing: 2026CASA MUSEO DELL’ANTIQUARIATO IVAN BRUSCHI. History and Collections
THE WORLDS OF MARCO POLO: The Journey of a Venetian Merchant from the 13th Century
AFRO. From a Meditation on Piero della Francesca to Informal Art
ANDREA MASTROVITO. TO DRAW IS TO KNOW
SEAN SHANAHAN. SUDDEN TIME
«I felt laid bare when Giuseppe Panza entered my studio because he looked at my paintings so closely and as such length. And in a way, it might seem absurd to spend so much time and intensity looking at a monochrome painting. All of this was very powerful.» (Sean Shanahan)
Size:Â 24.5 x 28.5 cm Pages: 96 Language: English