Bruno Corà
ELISEO MATTIACCI
When I saw the newly made Carro solare del Montefeltro , 1986 in the summer of 1986 in Pesaro it was an em...
Pierre Rosenberg
LA COLLECTION PRAT : PORTRAIT DE L'ÉCRIVAIN EN COLLECTIONNEUR
« Le goût des beaux dessins est une des plus hautes élégances d...
David Anfam
David Anfam – in the book published by Magonza, dedicated to Pier Paolo Calzolari – writes:
RIPENESS
Do you know the land where the...
Norman Rosenthal
The catalogue traces the course of the exhibition BREATHLESS/SENZA RESPIRO. London Art Now/Contemporary Art in London (19 Octo...
Massimo Recalcati
ON CLAUDIO PARMIGGIANI: The Trauma of the Work: Scream, Fire, Sphinx
No work of art exists that is not related to a trauma, ...
Andrea Cortellessa
ANDREA CORTELLESSA ON GIULIO PAOLINI
HOUSE ARREST
… entre les feuillets et le regard règne un silence encore,
condition et délic...
Pietro Bellasi
IL CAPITANO GULLIVER AGLI SPETTACOLI DEL CONFINE
«Ogni cultura risulta un modo violento di marchiare gli altri, di segnare i l...
Antonio Grulli
Antonio Grulli in conversation with Flavio Favelli discusses UNIVERS. Un negozio metafisico , a book that inaugurates Magonza’s "le luc...
Beuys | Burri. The Persistence of Value
On 4 April 1980, an exhibition conceived by curator Italo Tomassoni was realised in the Sala della Cannoniera of Rocca Paolina in Perug...